Dance Film Lab is a monthly program of Dance Films Association, organized by Zach Morris of Third Rail Projects. Dance Film Lab is a community-building, monthly series for dance filmmakers to gather; share information, methods, and tools; and address technical, practical and artistic challenges with a series of Moderated Screenings and Master Classes led by industry professionals. In the past Dance Film Lab was hosted by Dance New Amsterdam and will have a new home the Made in New York Media Center by IFP in 2014.
Moderated Screenings- Free for Members, $10 for Non-Members
Master Classes- $10 for Members, $25 for Non-Members
Cash, Check, and Card taken at the door
Sign-Up in Advance
Zach Morris (Third Rail Projects Co-Artistic Director) is a Bessie Award-winning choreographer, director, visual artist and Co-Artistic Director of Third Rail Projects. He is also the organizer and moderator of the NYC Dance Film Lab, a Movement Research teaching artist, an adjunct faculty member of the Florida State University School of Dance, and a professor of Shakespeare at Manhattanville College. He has previously served as the Co-Creator and Co-Director of the Westbeth New Works Program and as the Inter/National Program Associate at Dance Theater Workshop. Zach has a BFA in Directing from Carnegie Mellon University.
Location and Time
Media Center by IFP
30 John Street
Dumbo, Brooklyn 11201
Spring Dance Film Lab 2014
February 20 Creating Cohesive, Coherent Dance Films with Jeremy Xido
March 26 Camera Movement and Aesthetics with John Koch
April 21, April 28, May 5, May 12 Dance Film Lab Intensive with Tori Sparks, Kelley Bartnik, and Geoff Ehrlich
May 28 Moderated Screening
Fall schedule announced at a later date!
Moderated Screenings are a service provided for artists to get feedback in a constructive setting. It brings dance filmmakers together to present raw footage, drafts, works-in-progress and newly finished films to their peers for artist-centered, constructive feedback. These sessions are informal showings centered on discussion about the footage being shown, primarily for the artists to get reactions, constructive criticism, and process-related feedback on these works. Must be a DFA member or have attended Dance Film Lab to submit your work. Submission information listed below. At the end of each Dance Film Lab calendar year in December, Moviehouse partners with DFA to curate a screening of works by filmmakers who have attended the lab.
Member of DFA or have attended DFL
Pieces should be less than 10m (excerpts acceptable)
Pieces should be new to the screening
Submissions should be submitted via Vimeo. Pieces should be available for high-quality download as an mp4 directly from Vimeo. Pieces can be password protected.
Master Classes are led by top professionals focusing on the process of genesis, production, post-production and distribution of a dance film. From interactive workshops to panel discussions, as a dance filmmaker you’ll have hands on experience with professionals to hone, question, and expand your creative process.
Members can attend Moderated Screenings for FREE.
Non-Members can attend Moderated Screenings for $10.
Members can attend Master Classes for $10.
Non-Members can attend Master Classes for $25.
Email firstname.lastname@example.org for discount code to Sign-Up in advance and if interested in screening your work.
Sign-Up to access the above form if you’d like to submit as well as coupon code for advance sign-up. Although non-members may attend, to screen your work you must be a member of DFA . Sign-Up for membership if you’d like to screen your work and check out the other opportunities available to members like the Fiscal Sponsorship Application and Production Grant submission forms!
Testimonials: Dance Film Lab
I am a journalist making my first documentary film, Renewal, about dance and environmental activism in Israel. I attended almost all of the Dance Film Lab workshops this past year, and I found them incredibly informative. DFA not only has a well-informed staff who know the specifics of the dance film genre, but they also bring in presenters with a wealth of experience in many different aspects of film. The small classroom structure encourages interaction and is extremely inclusive, no matter if you are a veteran filmmaker or a novice. I found great resources in the presenters as well as those in the audience. As I continue in the post-production process, I feel grateful that the Dance Film Lab exists. I look forward to learning further from those in this vibrant community.
Stacey Menchel Kussell
“When I go to Dance Film Lab, I am sure to have a good experience. Whether I am showing my own video or appreciating and commenting on others’ videos, I learn about what makes dance film work. Zach is an excellent moderator, corralling the conversation toward supportive feedback, and giving spot-on feedback himself. All levels are welcome in this environment and people are helpful to each other, both by giving support and feedback, and also by exchanging practical tips. I highly recommend this ongoing workshop.”
Elena TaJo, longtime DFA Member
It was incredibly helpful to get the responses I did from the wonderful people who attended the lab. I went into it expecting to have people tell me what I was doing right and what I was doing wrong, but I was blown away by how encouraging and constructive the feedback was. Before attending the lab I was a bit lost as to where to go with dance and film after this. Because of the conversations I had with the participants, I now know the direction I want to go and I am very excited about it! Being in an environment with people who love what I love, and do what I do is not only inspiring, but a great reminder that we all need a little feedback and that there are people out there who want to help and get involved. Overall my experience with the Dance Film Lab was great, and I would encourage anyone to submit their work because the responses they will get are nothing but respectful, honest, and enlightening.
I was actually so inspired by the experience that I wrote the beginnings of a screenplay on the train on my way home [from Dance Film Lab]. Shortly thereafter, I founded my own dance film production company, DANCELEN(D)S.We released our first independent production – manouevres – on YouTube, with an incredible street crew and company called Project Valentine.That lab really helped me to move forward on the goals I had to explore dance film in my own way – and so I just wanted to reach out and say thank you! We’re looking forward to many more to come!